Distress vocalizations in five species of armadillos (Xenarthra, Cingulata)

Distress vocalizations are emitted by animals experiencing extreme physical distress, such as when caught by a predator. These signals are emitted by numerous and phylogenetically distant vertebrate species and are composed of sequences of broadband and high-amplitude notes. In this study, we provide the first acoustic characterization of distress vocalizations in four armadillo species: pink fairy armadillo (Chlamyphorus truncatus), greater fairy armadillo (Calyptophractus retusus), Southern three-banded armadillo (Tolypeutes matacus), and Chacoan naked-tailed armadillo (Cabassous chacoensis). We also recharacterized the weeping call of the screaming hairy armadillo (Chaetophractus vellerosus) to compare vocalizations, discuss potential homologies, and examine possible causes of structural and acoustic similarities among these species. In three species the vocalizations were sequences of exhaled notes that differed in their fine spectral structure (exhaled harmonic notes in C. retusus, and exhaled harsh notes in C. truncatus and T. matacus). The vocalization of C. chacoensis was composed of exhaled harsh and inhaled harsh notes that occurred alternately and continuously in a quick sequence. Based on the mode of production and acoustic similarity, we propose that the notes of C. retusus and C. truncatus would be homologous to the conspicuous crying notes of C. vellerosus. The exhaled harsh notes of T. matacus and C. chacoensis may also be homologous to the crying notes of C. vellerosus, but the notes of T. matacus are quite different in various acoustic parameters. Furthermore, the inhaled and exhaled harsh notes of C. chacoensis are similar to the inhaled and exhaled sobbing notes of C. vellerosus, making assessments of homologies uncertain in these species. Because a common motivational state (physical distress) underlies these vocalizations, we propose that the notable differences in body size and habitat preferences of the armadillos could represent potential drivers of the acoustic divergence among their vocalizations.