QUANTITATIVE MEASUREMENT OF THE SIMILARITIES AND DIFFERENCES OF CLONES OF GRAPES USING CONTOURS OF LEAVES WITH THE USE OF ASC-ANALYSIS AND "EIDOS" SYSTEM | Количественное измерение сходства-различия клонов винограда по контурам листьев с применением АСК-анализа и системы «Эйдос»
2016
Lutsenko Y. V. | Troshin L. P. | Bandyk D. K.
The article discusses the application of automated system-cognitive analysis (ASC-analysis), its mathematical model is a system of information theory and implements, its software tools – intellectual system called "Eidos" for solving one of the important tasks of ampelography: to quantify the similarities and differences of different clones of grapes using contours of the leaves. To solve this task we perform the following steps: 1) digitization of scanned images of the leaves and creation their mathematical models; 2) formation mathematical models of specific leaves with the application of information theory; 3) modeling the generalized images of leaves of different clones on the basis of specific leaves (multiparameter typing); 4) verification of the model by identifying specific leaf images with generic clones, i.e., classes (system identification); 5) quantification of the similarities and differences of the clones, i.e. cluster-constructive analysis of generalized images of leaves of various clones. The specific shape of the contour of the leaf is regarded as noise information on the clone to which it relates, including information about the true shape of a leaf of this clone (clean signal) and noise, which distort the real shape, due to the random influence of the environment. Software tools of ASA-analysis which is intellectual "Eidos" system provides the noise suppression and the detection of a signal about the true shape of a leaf of each clone on the basis of a number of noisy concrete examples of the leaves of this clone. This creates a single image of the shape of the leaf of each clone, independent of their specific implementations, i.e. "Eidos" of these images (in the sense of Plato) - the prototype or archetype (in the Jungian sense) of the images
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