The research deals with public art, and its related discourses. The particular focus of the paper is on investigating how public art can be a resistant or controversial part of the urban space. The first part of the paper describes the historic development of public art through time. Subsequently, the discussion goes on to the main aspects which dominate art in the public, urban space. We focus on the site-specificity realm, sculpture and installation, the role of public art in urban regeneration as well as influences in society. Today, it is argued that public art shifts its focus from object to process, from artist to audience, and that the artwork becomes part of city development policies, approaches to people’s everyday life. Currently the quest of contemporary public art becomes one of the main subjects to explore and find definitions for. The methodology used in this paper is descriptive, based in a historical point of view. The aim of this research is to find out the main development lines of public art, trying to answer questions such as: how is public art expressed in the urban space realm? What is its potential?

Forests and woodlands provide a wide variety of ecosystem services that are usually classified within three categories: provisioning services, regulating (supporting) services and cultural services. While provisioning and regulating services are widely analysed, there is a lack of information about the cultural ecosystem services, particularly some sub-categories of these. In this study, we have focused on inspiration for creativity as a sub-category of cultural ecosystem services provided by forests and analysed the depiction of forest ecosystems in landscape paintings of Latvian artists. It may be concluded that forest ecosystems serve as an important source of inspiration for creativity and art, as may be seen in the landscape paintings of Latvian artists of the 20th century. Characteristic landscape features of birth and living places of the artists are reflected in their works. The performed analysis is the first of its kind in Latvia, and it may be further expanded, either by incorporating other aspects of creativity or adding economic dimension, for example, by surveying the art market.